Are Hitchcock and his personal life reflected in his movies? Is there
a deeper reason for his recurrent themes of murder and aberrant psychology
in his films?
Some hitchcock film analysts have suggested a strong connection between
his personal neurotic urges and the recurrent dominant themes in his
films. One such hitchcock film reviewer is Spoto, who in his biography(1983)
of Hitchcock made a psychological reduction of his major themes and
his own personal urges.
Stanton Peele on his website has written a detailed review of Spoto
and has offered an alternate, more realistic and robust analysis of
Hitchcock's films and their deeper origins. Some of the factors for
the success of his films are hard work, awareness of audience reactions,
and discipline, the same ingredients that go to make successful careers
elsewhere.
According to Peele, Spoto describes Hitchcock as a man in the grip
of uncontrollable impulses. These included misogyny, sadistic tendencies,
and fantasies of rape; bathroom and various other fetishes about sex
and the body; overwhelming guilt, anxiety, and a mother fixation; and
phobias toward women, people in general, and the world at large.
It is difficult to ascertain these in Hithcock's biography. He did
proposition Tippi Hedren, and caused her some discomfort in scene. Late
he suffered from lonliness and drank often. But any casual look at his
films would reveal that his primary motive was to entertain. He himself
said that people love to be terrified, and that is what he dealt with.